I recently interviewed James Havey from
LOVE 146. James is a researcher with the organisation and was an audience
member at a recent performance of Touch by the Epic Encounters team. The aim of 'Touch' is to raise awareness of child sexual abuse in Cambodia. ‘Touch’ aims to help vulnerable people, especially school-aged children, to understand what to do if sexual abuse occurs.
James was an interesting person to interview as he had seen the Epic Arts performers perform 5 years ago when the organisation was officially called a disability arts organisation.
In the last two years the organisation has reassessed its work and felt that the motto of ‘Every Person Counts’ and the ethos of Epic Arts was not to focus solely on working with people with disabilities and only addressing disability subject areas within the arts. The Board of Trustees made the decision to state that Epic Arts was an inclusive arts organisation, inclusive of all people. With Epic Arts being described as a disability arts organisation, some board members felt that this was 'un-inclusive' in nature, choosing only to work with those with disabilities. Now the organisation feels that an inclusive arts organisation is a better description of the work it does, work that is accessible to all and is in alignment with the message ‘Every Person Counts’. In this interview, James talks about his experiences of watching Epic Encounters perform in the past and more recently and what this made him think about the performers and the art they create, then and now.
James was an interesting person to interview as he had seen the Epic Arts performers perform 5 years ago when the organisation was officially called a disability arts organisation.
James Havey |
In the last two years the organisation has reassessed its work and felt that the motto of ‘Every Person Counts’ and the ethos of Epic Arts was not to focus solely on working with people with disabilities and only addressing disability subject areas within the arts. The Board of Trustees made the decision to state that Epic Arts was an inclusive arts organisation, inclusive of all people. With Epic Arts being described as a disability arts organisation, some board members felt that this was 'un-inclusive' in nature, choosing only to work with those with disabilities. Now the organisation feels that an inclusive arts organisation is a better description of the work it does, work that is accessible to all and is in alignment with the message ‘Every Person Counts’. In this interview, James talks about his experiences of watching Epic Encounters perform in the past and more recently and what this made him think about the performers and the art they create, then and now.
James Havey
@ Love 146
Interview Question and Answers
Epic
Arts is an inclusive arts organisation. After seeing Epic Encounters perform,
how would you describe inclusive arts?
In the West
there is a 'pigeon holing' and labelling of people with disabilities, people
like to label someone, they are disabled, they are not. When people don't label
people and call them just artists instead of disabled artists, I think people
are uncomfortable as they don't fit in the right box. Inclusive arts is not just
about saying people with disabilities can create beautiful things but saying
that they can do it the same as someone without a disability and go beyond what
a non-disabled person can do as they are overcoming a hindrance and creating
something unique and different.
When I first saw Epic Arts perform 5 years ago, it was amazing how 'on cue' all the performers were, knowing that they were deaf and that's what I shared with everyone - 'they are deaf and they can dance!'. I was amazed at how they did it, as music is such an integral part to performance and they couldn't hear it. I thought they were amazing for performing as deaf people, showing the audience and society what they can do; it said to me 'look what people with disabilities can achieve'. But I think seeing them now, my view has changed.
When I first saw Epic Arts perform 5 years ago, it was amazing how 'on cue' all the performers were, knowing that they were deaf and that's what I shared with everyone - 'they are deaf and they can dance!'. I was amazed at how they did it, as music is such an integral part to performance and they couldn't hear it. I thought they were amazing for performing as deaf people, showing the audience and society what they can do; it said to me 'look what people with disabilities can achieve'. But I think seeing them now, my view has changed.
"…..people like to label someone, they are disabled, they are not, when people don't label people and call them just artists instead of disabled artists, I think people are uncomfortable as they don't fit in the right box."
What did you see in the performance that helped you to understand the idea of being inclusive?
With the social issue
performances, Touch and MOTO MOTO that Epic Encounters do now, the performance
subject brings your focus away from disability and brings it to the social
issue itself that affects everyone as a whole. These performances mean we (as an
audience) see beyond 'ability' and 'disability'; we just see performance! I think the clear social issues being
discussed on stage take away from the disability 'issue', in a good way,
meaning that the audience isn't looking in amazement at the performers, maybe
with an air of pity, but rather looking at them as performers portraying
something so strong and emotional with professionalism.
When I saw Epic
Encounters 5 years ago, the performance was not about an issues, but was a
lyrical piece with no story or obvious message, only that these people could dance
despite their disability, which was a positive message. That's what I took away
with me, which was inspiring and I thought what they were doing as people with
disabilities was amazing and beautiful and surprising, but the focus was still
on their disabilities even if this was not intentional and even though it was
in a positive light. When you are watching MOTO MOTO and when you are watching
Touch, you forget about the disabilities on stage and all you see is what the performers are saying about the issues that affect society as a whole here in
Cambodia...you don't think 'wow look at the disabled people dancing'
What do
you think are the benefits for the audience of this performance? What do you
think they learnt or understood about the subject matter and about inclusivity?
I think this
performance helped me to understand what inclusive arts is really about, these
are not disabled artists talking about their disabilities as you think they
would do, but it's about the performers, disabled and non-disabled being
storytellers and having an opinion on an issue. The performers know about the
issues and they have an opinion and these opinions on the issues are valued,
everyone’s view is included and shared through the performance.
I think the performers are storytellers and that they see themselves as that too, disabled or not, they are artists. I think the audience sees the performers as storytellers and they look beyond disability to just the story and to the content that is being portrayed. I think that its easy to see through the work that Epic Arts is doing that art can be an 'equaller' of people, it brings them to an equal level regardless of ability, background, status etc
I think the performers are storytellers and that they see themselves as that too, disabled or not, they are artists. I think the audience sees the performers as storytellers and they look beyond disability to just the story and to the content that is being portrayed. I think that its easy to see through the work that Epic Arts is doing that art can be an 'equaller' of people, it brings them to an equal level regardless of ability, background, status etc
…………………………………………….
What has this told me about the inclusive arts
practice within this activity at Epic Arts? What are the key themes?
Thank you for taking the time to read this blog, please feel free to add comments or to email me at laura@epicarts.org.uk
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